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The Aurora County All-Stars
The Aurora County All-Stars
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Twelve-year-old House Jackson—star pitcher and team captain of the Aurora County All-Stars—has been sidelined for a whole sorry year with a broken elbow. He's finally ready to play, but wouldn't you know that the team's only game of the year has been scheduled for the exact same time as the town's 200th-anniversary pageant. Now House must face the pageant's director, full-of-herself Frances Shotz (his nemesis and perpetrator of the elbow break), and get his team out of this mess. There's also the matter of a mysterious old recluse who has died and left House a wheezy old dog named Eudora Welty—and a puzzling book of poetry by someone named Walt Whitman.     Through the long, hot month of June, House makes surprising and valuable discoveries about family, friendship, poetry . . . and baseball.

Review

* "A poignant and humorous coming-of-age story."—Kirkus Reviews, starred review "A slow-simmering stew of friendship and betrayal, family love and loyalty, and finding oneself."—SLJ * "A home run for Wiles."—Publishers Weekly, starred review A Junior Library Guild Selection New York Public Library''s One Hundred Titles for Reading and Sharing  

About the Author

Deborah Wiles's books include the picture book Freedom Summer and the novels Love, Ruby Lavender; The Aurora County All-Stars; the National Book Award finalist Each Little Bird that Sings; and A Long Line of Cakes. The first book in the Sixties Trilogy, Countdown, received five starred reviews upon its publication and has appeared on many state award lists. The second, Revolution, was a National Book Award Finalist. The third book, Anthem, was called "brilliant" in a starred review in Booklist and "musically and culturally immersive" in a starred review in Kirkus Reviews. Wiles lives in Atlanta, Georgia. You can visit her on the web at deborahwiles.com.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1
 
To me, every hour of the day and night
is an unspeakably perfect miracle.
—WALT WHITMAN
 
 
Mr. Norwood Rhinehart Beauregard Boyd, age eighty-eight, philanthropist, philosopher, and maker of mystery, died on a June morning in Mabel, Mississippi, at home in his bed.
 
He died at the simmering time just before daybreak. Crickets tucked themselves under rocks for the day. Blue jays chitter-chattered in the pines. High above the treetops, cirrus clouds wisped across a slate blue sky.
 
Mr. Norwood Rhinehart Beauregard Boyd lay unbreathing on a feather mattress surrounded by a carved rosewood bed frame with a high headboard that he had bought in Madagascar on his travels many years ago, before he closed himself up in his house with his treasures.
 
All night long the June bugs had
tap-tap-tapped against the glass panes at the open bedroom window, trying to buzz into Mr. Norwood Boyd’s room and touch the lamplight. As the light came into the day, the hard-shelled little insects fell into an opening between the glass and the screen, where they hummed together at the bottom of the window in soft confusion. Outside the window, deep in the tall weeds, a garter snake slithered in search of mice. It was June 17. A Thursday.
 
Mr. Norwood Boyd died a quiet death attended by sky, clouds, crickets, birds, bugs, snakes, and one human being: House Jackson.
 
House Jackson, age twelve, crackerjack baseball pitcher, obedient son, and keeper of his own counsel, had arrived just before the simmering time. He eased himself gingerly into a ladder-back chair next to the carved bed. He held his breath as he watched Mr. Norwood Boyd breathe and stare at the ceiling in a faraway silence. Instinctively—for it had been his habit—he reached for the book on the bedside table.
Treasure Island. He opened it to the page that had been saved with a ribboned bookmark, and read out loud in a mechanical voice: Still, Silver was unconquered. I could hear his teeth rattle in his head; but he had not yet surrendered.
 
At that moment, Mr. Norwood Boyd surrendered. He closed his eyes and opened his mouth. A rattling sound came from his throat. The smell of Mr. Norwood’s rattled breath made House blink and sit back in his folding chair. That breath—the sound of it and the smell of it—traveled the entire room, spangling the air like a salute, as if that breath was a last farewell to the big old bed, a last farewell to the lighted lamp, a last farewell to the rose-patterned carpet, to the bureau where the clothes were kept, to the bedside table where water shimmered in the glass, and to House, who had been faithful.
 
When there was no more rattle and no more breath, House did as he had been instructed to do. He called Doc MacRee’s office from the big black telephone beside Mr. Norwood Boyd’s bed. His fingers trembled as he dialed, and his voice cracked as he tried to speak.
 
“Mr. Norwood Boyd.” He was out of breath.
 
“Who is this?” asked a cranky-voiced Miss Betty Ramsey at the doctor’s answering service. 

“He’s . . . dead.” House felt the truth tingle across his shoulders, up his neck, through his scalp. He reached under his baseball cap and gave his head a small scratch.
 
“Is this a joke?” Miss Betty did not like jokes.
 
“No, ma’am,” House whispered. His pale cheeks were on fire—he could practically hear his freckles sizzle.
 
Miss Betty’s voice was high and nasal: “Is that you, Cleebo Wilson? You scoundrel! I’m calling your mama right now—she will whip you good! This is not funny!” House couldn’t think of one useful thing to say. Miss Betty waited. “Hello?”
 
House put the telephone receiver back in its cradle as quietly as he could, as if he were handling a sleeping baby. Miss Betty’s voice squeaked,
Who’s there? Who’s—and then it was gone.
 
House licked his lips and stared at Mr. Norwood Boyd. He had half a mind to touch him, but he didn’t. His mother had died at home six years ago, and he had wanted to touch her, too, but he hadn’t. He thought about that moment now, of how he had somehow known that the body lying on the bed was no longer his mother. She was no longer there. And now Mr. Norwood Boyd was no longer here.
 
House glanced out the window where the sun was beginning to light up the day. It would be a hot one. Soon the whole town would know about Mr. Norwood Boyd’s death. Kids would talk and the stories about Norwood Boyd would surface. The old rumors would rise and kids would have a heyday.
 
And there was nothing House could do about that. What could he say that would change anything? No one would believe him, anyway, and he’d never hear the end of it. It was best to keep his secret and to tell none of them.
 
He rubbed his open palms across his face and stood up. It had been a hard morning—an unbelievable morning. And today there would be more hard things. As soon as the sun blazed high in the morning sky he was going to have to face an enemy. A girl.
 
Swallow your toads early in the day, his mother used to say, and get the hardest things over with first. When he was six, his toads were easy to understand: Make your bed! Clean your room! Vegetables! As he got older, toads got harder to swallow: Apologize! Be responsible! Tell the truth! Now that he was twelve, his toads were life-sized and impossible to face, much less swallow—but he would do it.
 
He stared at a cobweb in the corner of the room. He had already faced death; he could face his toad this morning.
 
House took a last look at Mr. Norwood Boyd. He would go home now. He would take his sister, Honey, to pageant tryouts because he said he would. Then he would go to baseball practice. He would pitch like Sandy Koufax, his favorite baseball player of all time on his favorite team of all time, the long-ago Los Angeles Dodgers dream team of 1965. Koufax had pitched a perfect game in 1965, even when his arm felt like it was about to come off. House knew about pain like that.
 
Yes, that’s what he would do. He would face his toad and he would get his life back to normal with the baseball team, the game, the summer. And no one would know that he had sat in Mr. Norwood Boyd’s ghostly home this morning, watching a dead man decompose.
 
 
Chapter 2
"A man has to have goals—for a day, for a lifetime—and
that was mine, to have people say, “There goes Ted
Williams, the greatest hitter who ever lived.”
—TED WILLIAMS, LEFT FIELDER, BOSTON RED SOX
 
 
The sound of fat tires crunching over the pea gravel at the front gates to Mr. Norwood Boyd’s driveway shocked House out of his reverie. He almost bit his tongue as he leaped to his feet. Outside, car doors opened. Shut.
 
“How are we going to get in there?” Sheriff Taylor’s voice sifted through the windowpanes.
 
House scooted out of Norwood Boyd’s bedroom at the front of the house, sprinted down the wide hallway filled with photographs, dodged around the chairs in the dusty dining room, and jumped off the back-kitchen door stoop. He slid along the side of the house, his heart banging against his ribs. Kudzu vines slithered away from the driveway gates like snakes, as they were hacked and pulled down from the other side. Any minute now that gate would swing open. House parted the thick, leafy branches of a giant honeysuckle bush beside the front porch and crawled into what he knew was a good hiding place. It was cool and cavelike inside the honeysuckle bush. There was plenty of room. And House was not alone.
 
An old pug-dog with bulging eyes shivered herself sick inside the branchy cave. She stared at House with a pitiful look. “Hey, Eudora,” House whispered. “Hey, girl.” He scratched her between her ears. Eudora closed her eyes and gave a tiny sigh.
 
“What am I going to do with you?” said House. “I got baseball practice this afternoon.” He would pitch and his best friend, Cleebo Wilson, would catch. Together they would work on House’s fastball, now that his elbow seemed to be back in business. It had taken the better part of a year to get the elbow in good shape. The whole team was counting on that fastball to help them beat the Raleigh Redbugs in the big game on July 4. They had just over two weeks to be ready to pull off a victory.
 
House scratched Eudora under her collar—it made a crinkling sound. “You got something stuck in here, girl?”
 
The big gate in front of Mr. Norwood Boyd’s creaked open at the same time that House pulled a piece of paper from Eudora’s collar. It was rolled like a scroll, and his name was written on the outside of it—HOUSE—in an old, careful script. House stared at it. He felt the sweat stand out on his face. He had seen that handwriting before.
 
 
© 2007, 2005 by Deborah Wiles

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.
 
Requests for permission to make copies of any part of the work should be submitted online at www.harcourt.com/contact or mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.
 

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Customer reviews

4.5 out of 54.5 out of 524 global ratings

Top reviews from the United States

Ruth D. Weston5.0 out of 5 starsVerified Purchase A well-written book for young chapter-book readers or for adults to read aloud. Reviewed in the United States on October 4, 2015 I bought it for my 3rd grader but read it through for age relevancy. He is not quite ready for it, but I thoroughly enjoyed it. It is a complex book and beautifully written book. The writer is well educated in Southern literature, and she creates a delightful cast of... See more I bought it for my 3rd grader but read it through for age relevancy. He is not quite ready for it, but I thoroughly enjoyed it. It is a complex book and beautifully written book. The writer is well educated in Southern literature, and she creates a delightful cast of young characters, especially a little girl who falls heir to an elderly pug when her owner dies. The dog is named Eudora (for Southern writer Eudora Welty), and the child thinks "You-doggy" is a great name for her new pet.. It is a story of young children, their baseball team, racial and gender bias, and a mystery. It is also very funny. Adults will enjoy reading this to children. One person found this helpful Helpful Report a.hoffman5.0 out of 5 starsVerified Purchase Loved it! Reviewed in the United States on October 22, 2018 I love the book because it is really exciting. You can''t stop reading and you always want to know the next thing in the book. Trust me! Helpful Report Janet G5.0 out of 5 starsVerified Purchase Wonderful Book Reviewed in the United States on September 26, 2017 My 8 year old granddaughter read this book this summer and she could not put it down! It is so nice to see her so entertained without the iPad😊 Helpful Report Joanne5.0 out of 5 starsVerified Purchase A perfect read to match her other two books from Aurora ... Reviewed in the United States on August 22, 2015 A perfect read to match her other two books from Aurora County. It is always fun to read Wiles work. One person found this helpful Helpful Report Jennifer Brown 5.0 out of 5 starsVerified Purchase Five Stars Reviewed in the United States on August 11, 2014 Excellent book! Helpful Report Terri M. Faus3.0 out of 5 starsVerified Purchase Aurora County All Stars Review Reviewed in the United States on August 8, 2008 While I enjoyed reliving my youth, I wonder how this book would capture the interest of today''s kids. It was a sweet story to read aloud to children third grade or below. Happy ending too. One person found this helpful Helpful Report katinka5.0 out of 5 stars Others Like "Aurora County Allstars"? Reviewed in the United States on August 15, 2020 My twelve year old grandson just finished "Aurora County Allstars" and loved it. I was hoping this was part of a series about baseball. I see Deborah Wise has written other books but not about baseball. Do readers have similar baseball stories by other authors to... See more My twelve year old grandson just finished "Aurora County Allstars" and loved it. I was hoping this was part of a series about baseball. I see Deborah Wise has written other books but not about baseball. Do readers have similar baseball stories by other authors to recommend? Helpful Report Betsy Bird3.0 out of 5 stars Trouble. I say we got trouble in Aurora County. Reviewed in the United States on October 10, 2007 Idolizing an author, any author, does no one any good. The reader who expects only pearls of infinite wisdom to drop from the fingertips of their self-appointed god too soon finds that most writers are only human in the end. Usually, though, it is their humanity that is... See more Idolizing an author, any author, does no one any good. The reader who expects only pearls of infinite wisdom to drop from the fingertips of their self-appointed god too soon finds that most writers are only human in the end. Usually, though, it is their humanity that is their finest quality anyway. I was pretty sure thought that as I read through Deborah Wiles'', "The Aurora County All-Stars", it wasn''t my adoration of her previous novel Each Little Bird That Sings that made my pleasure of this latest one so difficult. I''ve read enough favorite authors to know that every book is a new challenge. Under normal circumstances, and with every book she writes, Wiles walks a fine line between wisdom and a kind of risky indulgence. You can get away with a lot in a children''s book in terms of theme and adult references (in this case, Walt Whitman) just as long as the title hangs together successfully as a whole. I have never idolized Ms. Wiles, and so I tell you now that my disappointment with "Aurora County" springs not out of a sense of betrayal or disillusionment. I''m just sorry that this title didn''t have the verve and flow it so desperately needed to retain the interest of the reader. There is much to love here, but it has been hidden behind some truly unfortunate pacing.

Old Mean-Man Boyd is dead, to begin with. House Jackson saw him die. Saw him draw his last breath on a warm summer morning and secretly called the ambulance to take the man away. On the one hand, this is good news. Now House can play more baseball and hope to beat the only other team around for miles on July 4th, the sole day of the year that they play. On the other hand, House grew close to the old man as he read to him. So close that he hasn''t told anyone, not even his best friend Cleebo, about what he was doing all this time. Yet even as House is freed from his obligations to the newly deceased, a new threat is making the 4th of July game look near impossible. A pageant is to be scheduled for the same day and House''s entire team has been signed up by their mamas to partake of twelve-year-old Frances Schotz''s directorial debut. Now House must find out how to rescue his team from a fate worse than death, all the while unraveling the mystery of his deceased mom and her celebration of Walt Whitman''s symphony true.

On a first read of this book I couldn''t put my finger on the problem. What was it about this book that came so close to pleasing, then strayed? Why was Wiles failing to touch the heart of the reader? I examined the scenes, one by one, but it wasn''t until I spoke with a colleague that everything fell into place. The heart of this problem lies in the first sentence of the author''s Acknowledgments. "The characters in this book set up a clangor in my mind and heart a few weeks before I was invited to write a serial story for the Boston Globe, which is where this novel''s seeds were planted." Suddenly everything fell into place. "Aurora County" proceeds at quite a nice clip until just about Chapter Five. Then, as House and his cohorts meet up with Finesse for the first time, the setting never changes until well past the end of chapter eight. With each of these chapters I found the action bogging down, the characters repeating themselves, and the story becoming increasingly repetitious. In a staged production this might be fine, but when you''re reading a book for children you need your minor scenes to switch about a little. Particularly if they turn out to be of negligible importance within the full scheme of the book. It was odd, to be sure. Then I read the words "serial story" and everything was clear. I''m sure that changes must have been made between the selections of this tale published in the Boston Globe and the book we have before us. If so, this is a case of a writer loving an original work too well to give it the pruning necessary to make it into a children''s book classic.

With Wiles'' loquaciousness to deal with (I''m one to talk, I know) the rest of the book didn''t quite pull together well enough to allow me to accept that a twelve-year-old Frances could say of House''s symphony true, "I think it''s what''s left when all the noise stops, when you get quiet and listen for you own true heart." Or to think that the fight between House and his best friend Cleebo could arise violently out of almost nothing just for the sake of the story''s arc. Cleebo betrays House because he feels that House betrays him first. Just the same, Cleebo''s crime against his friend is so much worse than House''s that reading it you''re left incredulous and just a bit peeved when the two make up at the end. Friendships in children''s novels are almost holy things, but I didn''t see any divinity in House and Cleebo''s love here.

Don''t get me wrong. There were things I liked in the book as well. I imagine the character of House being played by a twelve-year-old Gary Cooper. House has the same good-hearted reticence as Cooper, complete with strong short sentences and a kind of basic decency you look for in an old-fashioned hero. Since Wiles'' novels all seem to take place in a kind of no-time (an era when soap operas and small town baseball games exist within the same sphere) it makes sense that House''s actions and mannerisms should conjure up the hero of a time past. Or maybe it''s Cooper''s portrayal of Lou Gehrig in The Pride of the Yankees that connects all these dots in my mind.

I also enjoyed how Wiles drew in such different dynamic elements as segregated ball teams and individual protests against an unjust world. I liked the author''s slow reveal of House''s relationship with Frances. Wiles teases it out so slowly and so well that you don''t realize that the two even have a past behind their more infamous encounters until the novel is nearly at its end. There were elements and flickers of light evident in Wiles'' work here. Clearly "The Aurora County All-Stars" was a labor of love on her part and clearly she worked at it. What falls flat are those moments that could have stood a bit of consolidation and refining without much loss or pain. Instead, the book ends up unexpectedly bloated. Adult Wiles fans will be able to push past these problems and love the lesson at the heart of the novel. For others, it will be a little more difficult to unfocus their eyes enough to see the book that could have been. I look forward to Deborah Wiles'' next.
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